Editor’s Choice
BABITHA MARINA
Give up everything!
My therapist tells me,
Give up everything!
I take off my gold,
money from my purse,
my books, my handloom
clothes that chafe against my skin ,
I spread them in front of him.
rainbow clothes, feathers , beads.
Take them all!
I pick up my paintings
with a pang; the bristle of brush
on canvas, the swish of
filbert, hog hair spike my skin,
goose-bump pinpricks
aroused with the metal smell
of cadmium red tubes.
Feel the squeeze,
wiggle out of an oil tube,
exposed, I remove the frame
and shred my paintings with scissors :
every shard bleeds.
I tear my words
inked lines worm
up my skin, they crawl
against the mulch of
a childhood:
I lift and fly on a swing,
feel its inertia as I push
it high, I has a strong
will not to fall from the sky.
I mark
emotions with a charcoal.
I scribble, overwrite
with closed eyes,
right hand first and then left,
I want to hit my therapist
when he asks me to write a happy poem,
I feel letters slither down my spine,
word worlds whorl over
my discs, they are a whirlwind
they touch the G-spot of my spine,
carry me over the top
over the green feel of the trees.
What are the colours you see?
his purple
his dreadlocks,
my obsession.
I swoosh down the swing
these falls are never swift.
My feet brake
on the ground raising
some dust.
It’s charcoal.
Your childhood ended:
tear it up, says the therapist.
I tear up my art sheet
toe the mess I call life
feed it to fire.
Fire licks my art
with a hunger,
turning it to ash,
it flies in the sky
settles down
with the night
and my sighs
That night
I hide my ashes inside
my pillowcase.
With my Dog on Diwali
A constellation
spreads out its
sting-rays in the sky.
I listen to the crackers,
loud and muffled,
huddled in the corner.
My dog shivers,
pants and hangs
out his tongue,
I do the same,
I switch off all lights
to become darkness.
Last year, I combed
through the streets
buying a cracker here
and a diya there.
I lit a fire-hill
in the middle of a street ,
a Catherine’s wheel
swirled so fast I stepped
away from its bite.
I twirled a snake out
of the matchstick,
held Roman
candles like trophies.
I looked up from darkness
to watch silver streaks
illumine the sky.
This year, the sky broods down
to look at the silver lines on my hair.
Painting the Himalayas with an Art Therapist
My art therapist wants me
to go to Sri Chitra, stare at
Roerich for hours and hours.
I knock at my doors to cringe
in the corner of my dark heart,
count the cobwebs on its cornices.
The Himalayas replicate me,
rock, layers of ice, decay
in pastel pink, grey and turquoise.
I am the woman in the sea of
brown, wanting to dive into the deep
to meet the black gods often painted blue.
Svetoslav or Nicholas? I ask.
The one who painted the mountain, he says,
whose clouds are waves of mauve, yellow and green.
I once counted the blues of the sea,
Siva’s dreadlocks hid Ganga in its Prussian blue.
Ultramarine melted with lust in Krishna’s skin.
Lilac and Purple, Orange and Grey,
Yellow and Violet, Green and Blue,
Nicholas strung a colour wheel on the peaks.
I want the blue of Krishna, Rama and
Shiva, burnt umber of the Mediterranean
Christ and black kohl of Madonna of Czestochowa.
You listen to the musical salon of colours,
walk east and go into a shrine, forget your
desire by kneeling before peaks.
He asks me to forget my desire
like the Buddha, lick my wounds, tuck my tail
between my legs; disappear into the cliffs.
You need to paint your rainbow on the snow-
white peaks, you need to gather colours from
the gallery, make them your own.
I listen to my art therapist, who asked
me to paint the Himalayas after killing
my lust. I walk to my pyre, light a flame,
lose myself, burn my body, watch it turn
into wafter-thin starch and carbon-hard ashes.
I disinter my bones to paint the peaks afresh.
*Sri Chitra Art Gallery in Trivandrum houses precious paintings of Svetoslav and Nicholas Roerich. The latter had painted the Himalayas in dreamy hues. My art therapist took me through a meditative journey of the Himalayas during my session, and during the sessions, he advised me to take a residency in the mountain and paint the landscapes as much as desired.
Babitha Marina Justin is an academic, poet and artist. Her poems, short stories and articles have appeared in Taylor and Francis journals, Marshal Cavendish, The Yearbook (2020, 21, 22), Singing in the Dark (Penguin), Eclectica, Esthetic Apostle, Jaggery, Fulcrum, The Scriblerus, Trampset, Constellations, Indian Literature, etc. Her books are Of Fireflies, Guns and the Hills (Poetry, 2015), I Cook My Own Feast (Poetry, 2019), salt, pepper and silverlinings: celebrating our grandmothers (an anthology on grandmothers, 2019), From Canons to Trauma (Essays, 2017), Forty Five Shades of Brown ( Poetrywala, 2023)