Editor’s Choice

Dimitris P. Kraniotis

     (Greece)

 

Minus one

 

I pulled the earth

To cover us

Just in case we might wear tonight

Disarming and bloodless

The words we spat out yesterday

Like seeds

 

But don’t answer me hasty

Wait your turn

In line

I’m waiting for answers

From you and from me

Again and again

 

Up until yesterday

Until reaching the certain and unexpected

-1 of the elevator

Basement indefinitely

And inexorably with anger

(Which logic was rented

From my imagination tonight?)

 

But I don’t want the mud

To ferment our bodies

Filling with minus one tomorrow

Roots of lotus and myths

 

 

Janus

 

Our neighborhood

Is an apartment building now

The elevator stuck

Between penthouse

And sky

 

And we in it

Squashed in comfortably

Breathless

(And without reception

On our cell phone)

 

On the verge of an escape

From the “savoir vivre”

Ready for a long time now

For escapades

(When did we actually

Fall in love?)

 

At the peak

Of suspended steps

In the basement

Of Janus semi-dilemmas

 

 

Tie of public decency

 

I began to strip off

My clothing

Till I remained naked

In the middle of nowhere

 

Shouting

In a unknown tongue

(One way or another,

Who would have understood me?)

 

Yet they didn’t arrest me

For violation of public decency

 

To stop the shouts

They treated me to absinthe

And dressed me to the hilt

But my shoe-laces

Didn’t coordinate

With their tie

 

I didn’t leave any change

For a gratuity

I didn’t fall diagonally

 

 

 

 

Wrinkles in the coffee

 

I wake up

Hearing the same sound

Every morning

Full of broken questions

 

With so many wrinkles in the coffee

With the same poem nailed down

In my mind again

 

I search for a word

I mourn

Even though I forgot to cry

So many nights

Away from you

 

I complain as always

Without a reason

When you’re close to me

 

 

The poet

 

The direction of events

He seals

The unseen of the lights

He symbolizes

 

With brushes of the guilty

Of false Presents

Naked bodies

He paints

 

Wings of winds

Birds of waters

He shapes

 

Stone cages

Prison cells of the innocent

He tears down

 

Fields’ ears of wheat

Of empty seasons

He reaps

 

With ancient wise men’s

Woven ideas

The poet

Always in the end

Builds a new beginning

 

Dimitris P. Kraniotis

     (Greece)

 

Minus one

 

I pulled the earth

To cover us

Just in case we might wear tonight

Disarming and bloodless

The words we spat out yesterday

Like seeds

 

But don’t answer me hasty

Wait your turn

In line

I’m waiting for answers

From you and from me

Again and again

 

Up until yesterday

Until reaching the certain and unexpected

-1 of the elevator

Basement indefinitely

And inexorably with anger

(Which logic was rented

From my imagination tonight?)

 

But I don’t want the mud

To ferment our bodies

Filling with minus one tomorrow

Roots of lotus and myths

 

 

Janus

 

Our neighborhood

Is an apartment building now

The elevator stuck

Between penthouse

And sky

 

And we in it

Squashed in comfortably

Breathless

(And without reception

On our cell phone)

 

On the verge of an escape

From the “savoir vivre”

Ready for a long time now

For escapades

(When did we actually

Fall in love?)

 

At the peak

Of suspended steps

In the basement

Of Janus semi-dilemmas

 

 

Tie of public decency

 

I began to strip off

My clothing

Till I remained naked

In the middle of nowhere

 

Shouting

In a unknown tongue

(One way or another,

Who would have understood me?)

 

Yet they didn’t arrest me

For violation of public decency

 

To stop the shouts

They treated me to absinthe

And dressed me to the hilt

But my shoe-laces

Didn’t coordinate

With their tie

 

I didn’t leave any change

For a gratuity

I didn’t fall diagonally

 

 

 

 

Wrinkles in the coffee

 

I wake up

Hearing the same sound

Every morning

Full of broken questions

 

With so many wrinkles in the coffee

With the same poem nailed down

In my mind again

 

I search for a word

I mourn

Even though I forgot to cry

So many nights

Away from you

 

I complain as always

Without a reason

When you’re close to me

 

 

The poet

 

The direction of events

He seals

The unseen of the lights

He symbolizes

 

With brushes of the guilty

Of false Presents

Naked bodies

He paints

 

Wings of winds

Birds of waters

He shapes

 

Stone cages

Prison cells of the innocent

He tears down

 

Fields’ ears of wheat

Of empty seasons

He reaps

 

With ancient wise men’s

Woven ideas

The poet

Always in the end

Builds a new beginning

 

 

Dimitris P. Kraniotis

 

 

Dimitris P. Kraniotis was born in 1966 in Larissa Prefecture in Greece and grew up in Stomio (Larissa). He studied medicine at the Aristotle University of Thessaloniki and obtained a Master of Science (MSc) in Medicine at the University of Thessaly. He lives in Larissa (Greece) and works as a medical doctor (internal medicine specialist physician). He is author of 12 poetry books in 7 languages and Editor-in-chief of an international anthology in English. He has won international awards for his poetry which has been translated into more than 40 languages. He has been invited and participated in many International Poetry Festivals. He is Doctor of Literature and Academician abroad, President Emeritus of the World Congress of Poets (UPLI), President of the 22nd World Congress of Poets (Greece 2011), President of the World Poets Society (WPS), Founder & Editor of the World Poets Magazine, Founder & Director of the Mediterranean Poetry Festival (Larissa, Greece), President of the International Scientific Committee of the International Poetry Festival of Naoussa (Greece), Chairman of the Writers for Peace Committee of PEN Greece, Laureate Man of Letters by the United Poets Laureate International (USA) and member of the World Poetry Movement (WPM), Poets of the Planet (POP), World Organization of the Writers (WOW), Hellenic Literary Society and National Society of Greek Literary Writers. His official website: https://dimitriskraniotis.com/

 

 

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